Tag Archives: corporate anthropology

TAL + SM: Anthropology has Always been Out There

This Anthro Life – Savage Minds Crossover Series, part 2
by Adam Gamwell and Ryan Collins, with Leslie Walker

This Anthro Life has teamed up with Savage Minds to bring you a special 5-part podcast and blog crossover series. While thinking together as two anthropological productions that exist for multiple kinds of audiences and publics, we became inspired to have a series of conversations about why anthropology matters today. For this series we’re sitting down with some of the folks behind Savage Minds, SAPIENS, the American Anthropological Association and the Society for American Archaeology to bring you conversations on anthropological thinking and its relevance through an innovative blend of audio and text. That means each week for the month of June we’ll bring you two dialogues – one podcast and one blog post – with innovative anthropological thinkers and doers.

You can check out the the second episode of the collaboration titled: Anthropology has Always been Out There, here.

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Who Built the Internet? We Did! (Part 5)

In 2006, according to Time Magazine, the theory of technoindividualism “took a serious beating.” In electing You to the position of the Person of the Year, Time prophesized the fourth discourse of internet historiographical revisionism following President Obama’s statement. It was not the state, corporations, or genius insiders who made the internet, nonfiction best seller author and transhuman apologist Steven Johnson claimed in the New York Times, but Us who built the internet. Continue reading

Who Built the Internet? Corporations! (Part 2)

Obama may have gaffed, neoliberal assistant editors at Fox News and the Republican National Committee, exploitatively edited, repurposed, and exaggerated the speech, but it was Wall Street Journal writer L. Gordon Crovitz who mistook the misedits as evidence for US executive branch internet revisionism. Crovitz, ex-publisher of the Journal, ex-executive at Dow Jones, and social media start-up entrepreneur, attacked President Obama’s statement that the internet was funded and engineered by the federal government. “It’s an urban legend that the government launched the Internet,” he idiosyncratically declared. The crux of Crovitz’s argument was focused on Robert Taylor, who ran the ARPAnet, a US DAPRA project that connected computer networks to computer networks. Taylor, according to Crovitz, stated that this proto-internet, “was not an Internet.” And therefore, most importantly for Crovitz, this meant that President Obama was dead wrong, Taylor, a federal employee at this time did not help to invent the internet. The internet was not made by engineers paid by public but private hands. Crovitz’s twist on the accepted story is that Taylor later made a different internet, ethernet, at Xerox PARC where we worked after DARPA. And it was Ethernet that became the internet. Continue reading

The Internet: Who Built That?! (Part 1)

[This is a part of a six part blog on four debates about the origins of the internet. Please see all six posts here.]

Suddenly in the wake of President Barack Obama’s untimely but ultimately non-fatal but non-optimal grammar, the question of who made what when and how much the government had or had not to do with it was up for debate. Resisting the attacks on all things federal at the tail end of the 2012 US presidential election, President Obama said to a crowd in Roanoke, Virginia on July 13, 2012:

“The internet didn’t get invented on its own. Government research created the internet so that all companies could make money off the internet.” Continue reading

Workplace Ethnography 101—Interrogating the Unpaid Internship

[The post below was contributed by guest blogger Laurel George, and is part of a series on the relationship between academic precarity and the production of ethnography, introduced here. Read Laurel’s prior posts: post 1 — post 2 — post3]

One paradox of practicing ethnography at the academic sidelines is that often the further one gets from the institutional “center” of the field, the more clarity is needed about the fundamentals of ethnographic method and analysis.  This need to get “back to basics” played out in my market research work in which my colleagues and I often needed to prove what ethnography could offer that consumer-data-gathering methods could not.  Here I offer another example of this paradox as I describe the adjunct teaching I currently engage in outside of an anthropology department.  The course I teach is a non-departmental seminar required of arts and sciences undergraduates who wish to receive academic credit in conjunction with unpaid internships not related to their majors.  For example, if a biology major wants to get credit for interning in the editorial department of a fashion magazine or an English major wants to work at an education non-profit that provides afterschool mentoring to kids, they would enroll in my 2-credit internship seminar and 2-credit fieldwork course.  The vast majority of my students are not anthropology majors and for most of them, my course is their first exposure to ethnographic theories and methods.  Those of us working on the margins of our field often have to take on a ambassadorial role vis a vis the discipline, explaining in clear and basic terms not just what ethnography is but also what ethnography can do.  In what follows, I describe what I hope ethnography can do for my non-major students engaged in unpaid internships.  Along the way, I also briefly interrogate the role of unpaid internships in undergraduate study in the U.S., arguing that they are an increasingly significant piece of the kind of workplace precarity we’ve been discussing throughout this series.

Unpaid internships have been much in the news lately—the intern suing Harper’s Bazaar magazine, unpaid interns toiling behind the scenes of the movie Black Swan, and even unpaid interns (over)working at liberal icon Charlie Rose’s show.  More about unpaid internships per se in a moment, but what, you may be wondering, has this to do with ethnography? A few years ago, I had feelers out for teaching work and started talking to someone who knew of my work with non-profit arts organizations and needed someone to teach an internship seminar in order to meet increased student demand for such a course.  The social sciences have long acknowledged the value of experiential learning, and student placements with non-profit, social service, or public policy organizations have been common.  With this in mind, I happily accepted the offer to teach an undergraduate internship seminar, with most involved (especially me) thinking that I would shepherd students through fieldwork in a range of non-profit and/or public-sector organizations.  What none of us really foresaw was how high the student demand would be for a course that could grant credit in conjunction with internships in for-profit workplaces. Over the several semesters I’ve taught the internship class, about three-quarters of my students’ unpaid internships have been in for-profit settings, most notably entertainment, magazine publishing, fashion, public relations, and banking.  Clearly, neither I nor any other faculty member could claim expertise in all of these industries, so my aim has become to equip students with a way of making sense of their internships beyond their sometimes-fuzzy goals of “networking” and “resume-building.’ Continue reading

The Anthropology of Snacks, Widgets, and Pills: What I Learned from Ethnographic Consumer Research

[The post below was contributed by guest blogger Laurel George. It is the second in a series on the relationship between academic precarity and the production of ethnography, introduced here. Read Laurel’s previous post here.]

Anthropology as a discipline and ethnography as a set of practices enjoyed a period of heightened popularity in the world of market research in the U.S. from the mid-1990s through the mid-2000s.  During that time, anthropology was seen as the “next big thing,” a new, improved way of understanding the behaviors and motivations of consumers.  Stories about the special insights that ethnography could bring offer abounded in the popular press, trade journals, and even on NPR’s Motley Fool radio show.  Advertising firms and makers of consumer goods touted ethnography’s ability to offer a more authentic and deeper view of consumer attitudes and practices.  These enhanced understandings, it was promised, would enable ad agencies and product manufacturers to target new markets, develop new products, transform their brand image, and, ultimately, sell more snacks and widgets.  My entry into this landscape was a function of chance; I earned my PhD in cultural anthropology in 2002, during anthropology’s hottest corporate moment. Newly credentialed, on the academic job market, and broke, I was more than a little interested when an anthropologist friend in similar (actually, identical) circumstances told me about a small consumer research firm that was hiring anthropologists to “do ethnographies” on consumer habits. For the next three years on and off,  I worked for this small outfit and, with teams of other anthropologists and videographers, helped produce ethnographic videos and reports on products ranging from snack and convenience foods to appliances to phamaceuticals.  This snapshot of that work is not meant as expose, but rather an account of what ethnography signified and looked like in that context.  It not an entirely negative story. To be sure, much substance can be lost when knowledge is produced under such instrumentalizing constraints and conditions.  But to my surprise, this interlude furnished gains beyond the adjunct-salary-shaming paycheck. I’m still not sure that what my colleagues and I produced were ethnographies per se, but the experience, as I’ll explain, has expanded how I imagine the possibilities of ethnographic research and intellectual collaboration. Continue reading

Digital Money, Mobile Media, and the Consequences of Granularity

Nicholas Negroponte famously insisted that the dotcom boomers, “Move bits, not atoms.” Ignorant of the atom heavy human bodies, neuron dense brains, and physical hardware needed to make and move those little bits, Negroponte’s ideal did become real in the industrial sectors dependent upon communication and economic transaction. In the communication sector, atomic newspapers have been replaced by bitly news stories. In the transactional sector, coins are a nuisance, few carry dollars, and I just paid for a haircut with a credit card adaptor on the scissor-wielder’s Droid phone.

The human consequences of the bitification of atoms go far beyond my bourgeois consumption. This shift, or what is could simply be called digitalization, when paired with their very material transportation systems or networked communication technologies, combines to form a powerful force that impacts local and global democracies and economies.

What are the local and political economics of granularity in the space shared between the fiduciary and the communicative? To understand the emergent political economy of the practices and discourses unifying around mobile media and digital money we need a shared language around the issue of granularity. Continue reading

Television for the 99% & Reverse Media Imperialism

It is no surprise that American television news networks that consistently cover the Occupy Movement in detail tend to be liberal or progressive in political persuasion. Current TV’s Countdown with Keith Olbermann, Free Speech TV’s Democracy Now!, Russia Today’s The Big Picture with Thom Hartmann, and Al Jazeera English all spend considerable amounts of their valuable time bringing the voices of Occupy to televisions in America. Similar funding strategies and political intentions unify these four networks. Each receives cultural, political, or economic support from various national governments. With this communication power, these networks proceed to critique American capitalism and imperialism through direct discursive confrontation or through emphasizing resistance movements such as Occupy. I run the risk of sounding a little conservative by posing it but my question is: what is the cultural meaning of the presence of state-based, anti-capitalism television and internet video? From the successes in Wisconsin, to Wikileaks, Anonymous, and Occupy Wall Street we are living in a golden era for progressive television and internet video.

The Public Sphere of Occupy Wall Street

I keep returning to the public sphere as Habermas originally described it as I think about progressive political movements of today: Occupy Wall Street and its global dimensions, Anonymous and its more theatrical and political wing LulzSec, and progressive and independent cable television news network Current. Internet activism, television news punditry, and street-based social movements each work together implicitly or explicitly to constitute a larger public sphere. As scholars we need to resist the temptation of excluding one form of resistance as being inconsequential to social justice or to analysis and instead see all three as working together in a media ecology.

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Forget Steve Jobs

I can’t stand this tech bubble blowing hagiography that has gone down since Jobs’s retirement as Apple’s CEO. Tech rag Gigaom founder Om Malik found out and cried: “It is incredibly hard for me to write right now. To me, like many of you, it is an incredibly emotional moment. I cannot look at Twitter, and through the mist in my eyes, I am having a tough time focusing on the screen of this computer.” Wired just an hour ago posted an article consisting of fawning billionaires dreamily revisiting touching Him. Come on Om, just take my hand, you can look at Twitter! So much for the illusion of journalist impartiality. Malik’s sentiment is serious though. He is one of the many who’ve gotten rich on selling the illusion of Jobs as a visionary auteur. Silicon Valley, ever the retailers of vaporware–technology that facilitates experiences we neither need nor want nor, often, come to market–needs fantasy as much as Hollywood need the illusion of celebrity to prop ups its market domination in the selling of stardust.
Jobs is an excellent example of the way a social imaginaire comes into form through corporate performance. Philosopher Charles Taylor calls social imaginaires “the way people ‘imagine’ their social surroundings, and this is often…carried in images, stories, and legends.” This notion goes back to Sahlins’s “charter myths,” B. Anderson’s “imagined communities,” and Ortner’s “serious games.” Social imaginaires are internalized and form a range of practical responses not unlike Bourdieu’s “habitus.” Anthropologists are good at recognizing the mental hardware that drive action. This may be a product of our emphasis on para-biological motivation (“culture”) as well as our methodologies. Look at the emphasis on narrative in the works of Richard Sennet and Paul Rabinow, both investigating the new economies of technology through subjective stories about work and its meaning.

Anthropologist Chris Kelty, influenced by Taylor, carried the imaginaire into the world of technology with his notion of the “moral-technical imaginaire” which is a cultural situated and persuasive moral philosophy attached to the use of both open and proprietary systems. Patrice Flichy in his book Internet Imaginaire uses the work of Paul Ricœur to show how utopian and ideological discourse are two poles of a technological imaginaire. The original euphoria of a technology is utopian, as that fades, the imaginaire is mobilized to hide or mask the ideological and dominating potential of the technological assemblage. More recently, sociologist Thomas Streeter, discusses how “romantic” imaginaires of ruggedly individual hackers, inventors, countercultural tramps, and psychedelic engineers helped to encourage the federal funding and venture capital that built the infrastructure of the internet. Finally, the most accessible of these accounts of internet imaginaires is the work of Vincent Mosco who simply refers to the myth of technological transcendence with the idea of the “digital sublime.” The transhumanist movement is ripe for such an analysis.
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Eco-Chic Burning Man Hipsters

That curious identity politic that mixes neo-primitive fashion, ecological coolness, spiritual openness, upper middle class ambition, multiculturalism, and conscious consumerism can be coalesced under the moniker eco-chic–an elite contradictory expression of social justice and neoliberalism. It will be explored in the conference EcoChic: Connecting Ethical, Sustainable and Elite Consumption, put on by the European Science Foundation in October. The conference organizers see this expressive culture accurately in its rich contradictions. Eco-chic “is both the product of and a move against globalization processes. It is a set of practices, an ideological frame and a marketing strategy.” If you’ve spent anytime in Shoreditch, Haight, Williamsburg, or Silverlake you’ve got some experience with these hip, trendy elites. Ramesh calls them “Burning Man Hipsters.” I’ve been studying new media producers in America and eco-chic describes an important cultural incarnation of these knowledge producer’s value set. As far as anthropology is concerned, meta-categories such as eco-chic, liberalism, or transhumanism that cross cultural boundaries while remaining bound by class, challenge our discipline to revisit totalizing notions such as “culture” and “tribe.”

Eco-chic, like many other socio-cultural manifestations of neoliberalism is rife with contradiction. The fundamental contradiction being that it is a social justice movement within consumer capitalism. The producers of eco-chic goods and experiences are structured by capitalism’s profit motive. Likewise consumers of eco-chic goods and experiences are motivated by ideals that try to transcend or correct the ecological or deleterious human impacts of capitalism. Thus both producer and consumer of eco-chic are caught in a contradiction between their social justice drives and their suspension in the logic of neoliberalism. Eco chic events such as Burning Man and television networks such as Al Gore’s Current TV also express the fundamental contradiction between the social and the entrepreneurial in social entrepreneurialism. How do the contradictions within eco-chic represent themselves in American West Coast’s cultural expressions such as Burning Man and Current TV? Continue reading

Critical Pessimism & Media Reform Movements

The American satellite television network Free Speech TV asked me to write up a blurb for their monthly newsletter about my participatory/observatory trip with them to the National Conference on Media Reform in Boston. This is my attempt at what Henry Jenkins calls “critical pessimism”–an “exaggeration” that “frighten readers into taking action” to stop media consolidation, exclusion, and the absence of televisual diversity.

Free Speech TV at the National Conference on Media Reform

From its inception in 1995, Free Speech TV’s goal has been to infiltrate and subvert the vapid, shrill and corporately controlled American television newscape with challenging and unheard voices. Fast forward to 2011, and in the age of viral videos, social media and ubiquitous computing, the same issues persist.

An excellent young pro-freedom-of-speech organization, Free Press, called all media activists to Boston for the National Conference on Media Reform (NCMR), April 8-10, to celebrate independent media and incubate strategies to fight the tide of corporate personhood, monopolization in communication industries, and the denial of access to the public airwaves.

These are issues FSTV has long fought, first with VHS tapes of radical documentaries shipped to community access stations throughout the nation, then through satellite carriage in 30 million homes, and now via live internet video and direct dialogues with the audience through social media.

FSTV was at NCMR in full force, covering live panels on everything from the role of social media in North African revolutions to media’s sexualization of women; developing strategic relationships with print, radio, internet and television collaborators; interviewing luminaries like FCC Commissioner Copps; and inspiring the delegates by opening up the otherwise closed and corporatized satellite television world to the voices of media activists fighting for access and diversity during a frankly terrifying period in American media freedom.

One question haunted the many stages, daises and dialogues at the NCMR: Is the open, decentralized, accessible and diverse internet – by which media production, citizen journalism and community collaboration have been recently democratized – becoming closed, centralized and homogenous as it begins to look and feel more like the elite-controlled cable television system?

For example, while we were in the conference, the House voted to block the FCC from protecting our right to access an open Internet. The mergers of Comcast and NBC-Universal and AT&T/T-Mobile loomed behind every passionate oration. And yet FSTV was there to document when FCC Commissioner Copps took the stage stating he would resist the denial of network neutrality and such monopolizing mergers.

Internationally, examples of the power and problems of the internet exist. The Egypt-based Facebook group “We are all Khaled Said” had 80,000 members, many who amassed at Tahrir Square on January 26, instigating a wave of democratization that began in Tunisia – also fueled by social media – and hopefully continuing to Libya. Two days later, however, the Mubarak regime was able effectively to hit a “kill switch” on the internet and target activists using Facebook for arrest, an activity that worked against the desires of the repressive regime. At the NCMR, Democracy Now! reporter Sharif Abdel Kouddous said,  “Facebook was down … so they hit the streets. It had the reverse desire and effect that the government wanted to happen.”

In 2010, Reporters Without Borders compiled a list of 13 internet enemies – countries that suppress free speech online. The U.S. wasn’t on the list, but U.S. companies Amazon, Paypal, Mastercard, Visa and Apple were pressured to cut digital and financial support for whistleblowing WikiLeaks. The point is obvious: A vigilant press aided by an open, uncensored and unprivatized internet are necessary yet threatened and are the focus of FSTV’s coverage at NCMR.

FSTV embodies that ancient movement of ordinary people taking back power from entrenched elites. Today, every issue, from class inequality to ecological justice – is a media issue. However, our media sources, from journalists to internet and television delivery systems, are being co-opted by monopolizing corporations and lobbyists. As an independent, open and interactive television network, FSTV is an antidote to the problems facing free speech and democracy as more media power is centralized in fewer hands. Thankfully, as we found out in Boston, FSTV is not alone in this dangerous and difficult operation of media liberation.


Jenkins hyperbolically describes “critical pessimists” as people who “opt out of media altogether and live in the woods, eating acorns and lizards and reading only books published on recycled paper by small alternative presses”. This is a false exaggeration of a movement that is providing a necessary check on corporate power and mindfully working for greater civic, community, and citizen involvement in media production.

Participation, Collaboration, and Mergers

I work at UCLA’s Part.Public.Part.Lab where we investigate new modes of co-production and participation facilitated by networked technologies. Internet-enabled citizen journalism such as Current TV, public science like PatientsLikeMe, and free and open software development like Wikipedia are key foci. In the lab I investigate the vitality or closure of a moment of freedom and openness within cable television, news production, and internet video when the amateur and the alternative disrupted the professional and the mainstream. What are the promises and perils of social justice video in the age of internet/television convergence? Will internet video become as inaccessible, vapid, and homogenous as cable television? In our recent paper, Birds of the Internet: Towards a field guide to the organization and governance of participation, we draft a guide to identify two species flourishing in the internet ecology: what we call “formal social enterprises,” which include firms and non-profits, as well as the “organized publics” the enterprises foster or from which they emerge. These two types share a vertical or inverted relationship, power comes down from visionary CEOs and charismatic NGO directors to provoke rabid social media production, or a viable movement foments amongst grassroots makers that percolates upwards towards the formation of semi-elitist institutions. In light of this research and with a discreet fieldwork experience to think through I would like to clarify and address three types of social interaction: participation, collaboration, and mergers. Continue reading

Cultural Contradictions of Net Neutrality

“Free, open, keep one web,” World Wide Web inventor Sir Tim Berners-Lee’s is heard provoking us in the 15 second video above.

How can you champion anything that has the totalizing vibe to it as Berners-Lee’s One Web thing? Doesn’t it sound like One Web=One World=First World? Isn’t this One Web pitch a commercial for the global hegemony of Silicon Valley made technologies, standards, and corporations? Wouldn’t a greater diversity of broadband and wifi options be more advantageous to cultural diversity than merely One? The controversial and slightly ridiculous claim I will make now is that the tiering or diversification of the internet, such as we saw yesterday at the FCC, might foreshadow the fragmentation of the One Web into many ethnic and linguistic webs in the future.

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