By Michael Engelhard*
In the new millennium’s politics, polar bears play the part whales played in the 1980s. From a theatrics-as-protest perspective, their shape lends itself better to impersonation than that of a rainforest or whale. Activists take advantage of this. Dressed as polar bears, they show up in the most unlikely places—the Kremlin, or Ottawa’s Parliament Hill—as nonhuman “climate refugees. In an act billed as “part protest, part performance,” Greenpeace paraded a mechanical polar bear the size of a double-decker bus through central London, as part of its Save the Arctic campaign. Fifteen puppeteers operated Aurora the bear, which had an articulated head and neck, a mouth like an ice cave, and the real bear’s “slightly lazy” ambling gait. Continue reading
